• Among plans of young Polish-German soprano Alina Adamski are, among others, 2021 a world creation of a new opera be Gerd Kühr at Oper Leipzig, where she will return in 2022 for Waldvogel in Siegfried. In Stuttgart is scheduled her debut the role of the Quenn in Paul Dessau’s opera Die Verurteilung des Lukullus, in Erl Martha.

    In December she took over on short notice Konstanze in a stream of Die Entführung aus dem Serail in Wexford.

    After her huge success in the soprano part in Helmut Lachenmann‘s Das Mädchen mit den Schwefelhölzern at Zurich Opera, she sang Sacerdotessa in Aida in Opole  and 2020 Waldvogel in Siegfried at Oper Lweipzig conducted by Ulf Schirmer  and at the Royal Festival Hall in London conducted by Vladimir Jurowski, as well as Gilda in Rigoletto at Frankfurt Opera.

    From 2017 to 2019 she was a member of the International Opera Studio of Zurich Opernhaus, where she performed Trendy-Sandy-Mandy in Michael Pelzel’s Last Call, Sandrina in Mozart’s La Finta Giardiniera, Amanda in Ligeti’s Le Gran Macabre or Atala in Offenbach’s Häuptling Abendwind.

    In Warsaw and Poznań she guested as Königin der Nacht in Mozart‘s Die Zauberflöte.

    Alina Adamski was born in Leśnica and studied at the Music Academy in Łódź, with Eytan Pessen at the opera Academy of Warsaw Opera as well as at the Conservatorio di Musica Francesco Venezze in Rovigo. 

    2017 she took part in the prestigious Young Singers Project at Salzburg Festival, where she performed Frau Silberklang in Mozart’s Der Schauspieldirektor. In November of the same year she was heard in a concert named Leading opera voices of the world at the Moscow Bolshoi theatre, 2018 she participated in the International Meistersinger Academy in Neumarkt.

    Alina Adamski took part in master classes of Udo Rheinemann, Izabela Kłosińska, Matthias Rexroth, Brenda Hurley, Doris Yarick-Cross, Richard Cross and Neil Shicoff and in several international voice competitions, recently she won at the Grand Prix de l'Opera in Bukarest a contract with the Teatro Real in Madrid, at the Stanisław Moniuszko Voice Competitions in Warsaw she was awarded best singer of a contemporary song. 

    Repertoire in preparation:

    Lisa in La Sonnambula, Norina in Don Pasquale, Adina in L’Elisir d’Amore, Marguérite de Valois in Les Huguenots, Ewa in Moniuszko’s Hrabina and Hanny in Straszny dwór, Ilia in Idomeno, Aspasia in Mitridate, Rè di Ponto, Fiakermilli in Arabella, Zerbinetta in Ariadne auf Naxos, Sophie in Der Rosenkavalier, Roksana in Szymanowskis Król Roger or Nanetta in Falstaff.



Alina Adamski performs the soprano part in Beethoven's 9th symphonie at the Grosses Festspielhaus in Salzburg with Salzburg Philharmonic conducted by Elisabeth Fuchs on October 22.